For Photos:
- Find a 4k or 8k video that have a "trucking shot" of a stationary subject (ie. drone shots of mountains where the drone is moving left-to-right or right-to-left)
- Grab 2 screenshots, the further apart they are the more hyper-3D it'll look (for better or worse)
- Stitch them side-by-side into a 7680x2160 image (Photopea is free, I use Affinity Designer 2)
- Open the image with SpatialLabs Player.
For Clips:
- Find a 4k or 8k video that have a "trucking shot" of a stationary subject (ie. drone shots of landscapes where the drone is moving left or right) and download it
- Create a new project in a video editing program (Davinci Resolve is free), set the resolution to 7680x2160, and import the video
- Place the video into your timeline twice, and place one copy on the left-half of the frame and the other copy on the right-half
- Offset the videos slightly in the timeline. The more offset they are, the more 3D the "trucking shots" will be
- note: If the video is moving left-to-right, have the right-half be ahead
- note: If the video is moving right-to-left, have the left-half be ahead
- Remove the scenes that don't work
- Export as MP4
- Open the video with SpatialLabs Player
- note: If there's a scene where the images are on the wrong side, then you can hover over the top-left icon and click "LR Image Swap"
You can expect to see ghosting in areas with motion, but this is a great way to see how good 3D content can be for this monitor with 2 professional cameras. This is also a fun way to experiment with how far apart you can separate the cameras depending on how far away the subject is, such as having 2 drones record several feet apart to create a true miniature effect of a landscape.