ConceptD | Maxime Stange: Professional photographer and the ConceptD 7 Ezel Pro

Acer-IngridAcer-Ingrid Acer Crew, Knowledge Author Posts: 1,755 Acer Crew
photographer Maxime Stange adjusting lights spot in photograph studio withconcept D 7 Ezel

📷 Maxime Stange professional fashion and beauty photographer, uses the ConceptD 7 Ezel pro on a daily basis in his business.
When it comes to shooting, Maxime appreciates the ConceptD 7 Ezel's PANTONE® certified 4k display with a Delta E<2. It allows him to have real-time rendering and precise color detail so he can adjust his brightness in the moment.

He explains why the workstation is perfect for his needs:
"The ConceptD's panel is extremely accurate and it is the best in the laptop industry. It's true to color and offers a wide viewing angle."
He is doing faster real-time heavy image exports from his camera to his ConceptD 7 Pro Ezel before editing.
"I work on Capture One Pro because it is a great software especially when you are dealing with multi-megapixel files like me. This software uses hardware acceleration, that is to say the power of the graphics card combined with that of the processor. Thus, I use all the capacities of my ConceptD 7 Ezel. The time saved is considerable for me in real-time backup."
The ConceptD 7 Ezel is powered by the Intel Core i7 processor and the Nvidia GeForce® RTX™ 2080 SUPER graphics card. He explains that the ConceptD 7 Ezel pro's hinge makes a difference in his business. 
Maxime places a high value on product design. With the ConceptD 7 Ezel, he appreciates the ergonomic design combined with aesthetics and simplicity.
 "The computer is the interface between me and the customer. I can't show the pictures from my camera screen, it's not professional! The ConceptD is ergonomic with its adjustable hinge, and very elegant with its pearlescent color and amber backlight, the whole thing is just right for my line of work."
In the studio, the photographer is constantly on the move. He can adjust the computer screen according to his angle of vision without having to bend down continuously and see the photo feedback in the blink of an eye. "It seems trivial but when I have to do the same movement 300 or 400 times in a shoot, I feel the difference at the end of the day, it's less exhausting."





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